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6/13/17

Recently, I was interview by the This Is Horror podcast hosts, Michael David Wilson and Bob Pastorella. It was a highly enjoyable two hours or so of conversation.

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5/01/17

Last night I appeared on Lovecraft eZine’s podcast. It also included writers/editors/publishers Mike Davis, Acep Hale, S.P. Miskowski, Joe Pulver, Derrick Hussey (who gave a major Hippocampus Press update), Philip Fracassi, Matthew Carpenter, and Peter Rawlik.

Reggie McRascal, my ventriloquist dummy, also made several appearances, and there was singing.

Otherwise, we talked for well over an hour about the genesis of my chief fears, my writing endeavors, Matt Cardin, Thomas Ligotti Online, and–of course–Tom and his work. I think it’s well worth your while.

Audio podcast available here.

My book, The Secret of Ventriloquism, is available for purchase here.

 


 

3/6/17

Some terrific news today!

Bram Stoker Award winning author, Paul Tremblay, had the following to say about my collection:

“Jon Padgett’s The Secret of Ventriloquism is a horror revelation. The interconnected short stories are ghastly, clever, dryly witty, but also genuinely and bone-rattlingly creepy and disturbing. Sure, going in, I was already afraid of ventriloquist dummies, but now I’m deathly afraid of Jon Padgett.”

Thank you, Paul!

Also, thanks to Charlene Cocrane of Horror After Dark, who just today gave Secret a five star review!

“Jon Padgett… satisfied ALL of my wants and needs as a reader of dark and weird fiction. These stories… are as utterly satisfying as short fiction can be.”

 


 

3/2/17

My book, The Secret of Ventriloquism, is at the head of UNWINNABLE’S February reading list, next to The Secret History of Twin Peaks, by Mark Frost! Pretty humbling having my work recommended alongside the likes of him, Margaret Atwood, Gertrude Stein and Haruki Murakami. Thanks to Stu Horvath and the rest of the staff at UNWINNABLE!



2/24/17

Furnace, by Livia Llewellyn
Furnace, by Livia Llewellyn

It occurred to me this morning that I haven’t mentioned female horror writers enough this month. The following are some of the best contemporary horror authors I’ve been reading in recent years, full stop.

  1. Livia Llewellyn. A master of voice and atmosphere. Always wonderfully, fearlessly personal. Her “Furnace” is a Ligottian masterpiece of slow, hallucinatory, maternal suffocation, and her recent collection with the same title is equally essential. I have no doubt that Llewellyn is one of the best authors in any genre out there.
  2. Kristi DeMeester. I came in contact with DeMeester’s work in Nightscript, Volume 1. She leads off this stellar anthology with “Everything That’s Underneath,” an unforgettable and heartbreaking tale of quiet horror and inescapable dread. Everything DeMeester touches turns to gold.
  3. Anya Martin. Another brilliant wordsmith with a distinctive voice. I was first taken with “A Girl and Her Dog,” in Xnoybis, issue 2, but her Dim Shores chapbook, Grass, blew me out of the water with its unclassifiable, speculative weirdness. The voice is distinctly Southern, and reminded me of a younger Joyce Carol Oates as well. I can’t wait to read more.
  4. Dagny Paul. New on the scene, but a powerful voice in horror. Check out her “There Is No Road through the Woods.” I was put in mind of both Lovecraft’s “The Colour Out of Space” and Ligotti’s “The Shadow at the Bottom of the World,” not only because of the blighting environmental horror but because of Paul’s gorgeous, haunting imagery.
  5. P. Miskowski. Her Dunhams Manor chapbook, Muscadines, is Flannery O’Connor and Neil Gaiman’s love child on quality grade acid. Experimental, accordion-like narratives within narratives. A masterful command of narrative voice holds it all together. I can’t wait to dig further into her work.

 


 

2/14/17

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The audiobook version of The Secret of Ventriloquism is finally available (via Amazon, Audible, iTunes).

It was recorded/produced by me, with a creepy singing assist by author/Pseudopod Associate Editor, Dagny Paul. Even if you’ve read the book already, I believe that hearing the stories aloud lends a dimension to the collection that the text alone cannot offer.

Please check it out and share liberally!

Click here to purchase.