Jon Padgett is a professional–though lapsed–ventriloquist who lives in New Orleans with his spouse, their daughter and cat. Padgett is a Senior Editor of Vastarien: a source of critical study and creative response to the corpus of Thomas Ligotti. He has work out or forthcoming in Pseudopod, Lovecraft eZine, Xnoybis, Antenna::Signals and For Mortal Things Unsung, an anthology reprinting the best Pseudopod stories.
“…for those who enjoy fiction of a weird nature with a capital ‘w’ The Secret of Ventriloquism should not be missed.” —Kev Harrison, This Is Horror
“There’s quite enough variety of tone, setting, and focus here to surprise and disconcert any reader, and leave preconceived expectations flopping and gasping in the cold black mud of Padgett’s imagination…Padgett is a chilling master in his own right.” —Paul StJohn Mackintosh, Associate Editor of Teleread
“Jon Padgett… satisfied ALL of my wants and needs as a reader of dark and weird fiction. These stories… are as utterly satisfying as short fiction can be.” —Charlene Cocrane, Horror After Dark
“This collection is the work of an extremely talented and intelligent writer… the constant change[s] in form give the impression that the book is evolving as you go along, especially [given] the ever-increasing number of references to previous stories… It’s like the creation of a hive-mind.” —Kayleigh Marie Edwards, Ginger Nuts of Horror
“Jon Padgett’s The Secret of Ventriloquism may very well be at the vanguard of a new movement in American Weird,where the lessons of Thomas Ligotti are recontextualized and used to birth something as frightening and bizarre as it is different.” —Simon Strantzas, author of Burnt Black Suns
“…let me guarantee you one thing about Jon Padgett’s writing: It will lead you outside your comfort zone like a creepy stranger leads you away from home. Padgett both knows how to tell a story and how to scare people and The Secret of Ventriloquism is an intoxicating display of these two skills.” —Benoit Lelievre, Dead End Follies
Selected as the Best Fiction Book of 2016 by Rue Morgue Magazine.
“Jon Padgett’s The Secret of Ventriloquism is a horror revelation. The interconnected short stories are ghastly, clever, dryly witty, but also genuinely and bone-rattlingly creepy and disturbing. Sure, going in, I was already afraid of ventriloquist dummies, but now I’m deathly afraid of Jon Padgett.” –Paul Tremblay, author of A Head Full of Ghosts and Disappearance at Devil’s Rock.
“The Secret of Ventriloquism is horror with a capital H. Some of Padgett’s lines raised the hair on my neck. The stories radiate darkness… In a year of exceptional weird fiction, this is a mattock-handle-wrapped-in-barbed-wire heavy hitter.” –Laird Barron, author of Swift to Chase
“Padgett proves with his stunning debut collection to be a worthy successor to Thomas Ligotti. There’s no gristle, no bone, no dilly-dallying here: only pure meat whose terrors seamlessly grow into the metaphysical. This volume is jam-packed with the stuff that nightmares are made of.” –Dejan Ognjanovic, Rue Morgue Magazine
“…Greater Ventriloquism is the fictional philosophy cutting through all of the stories in this collection, giving them a much appreciated spine of intent and eerie energy. When we understand that we are no better than dummies–when we see the strings that move us and hear the voice that animates us–we become the uncanny object, as opposed to the dummy. Our own embodiment thus becomes a vessel for great horrors.”
Recently, I was interview by the This Is Horror podcast hosts, Michael David Wilson and Bob Pastorella. It was a highly enjoyable two hours or so of conversation.
Last night I appeared on Lovecraft eZine’s podcast. It also included writers/editors/publishers Mike Davis, Acep Hale, S.P. Miskowski, Joe Pulver, Derrick Hussey (who gave a major Hippocampus Press update), Philip Fracassi, Matthew Carpenter, and Peter Rawlik.
Reggie McRascal, my ventriloquist dummy, also made several appearances, and there was singing.
Otherwise, we talked for well over an hour about the genesis of my chief fears, my writing endeavors, Matt Cardin, Thomas Ligotti Online, and–of course–Tom and his work. I think it’s well worth your while.
Bram Stoker Award winning author, Paul Tremblay, had the following to say about my collection:
“Jon Padgett’s The Secret of Ventriloquism is a horror revelation. The interconnected short stories are ghastly, clever, dryly witty, but also genuinely and bone-rattlingly creepy and disturbing. Sure, going in, I was already afraid of ventriloquist dummies, but now I’m deathly afraid of Jon Padgett.”
“Jon Padgett… satisfied ALL of my wants and needs as a reader of dark and weird fiction. These stories… are as utterly satisfying as short fiction can be.”
My book, The Secret of Ventriloquism, is at the head of UNWINNABLE’S February reading list, next to The Secret History of Twin Peaks, by Mark Frost! Pretty humbling having my work recommended alongside the likes of him, Margaret Atwood, Gertrude Stein and Haruki Murakami. Thanks to Stu Horvath and the rest of the staff at UNWINNABLE!
It occurred to me this morning that I haven’t mentioned female horror writers enough this month. The following are some of the best contemporary horror authors I’ve been reading in recent years, full stop.
Livia Llewellyn. A master of voice and atmosphere. Always wonderfully, fearlessly personal. Her “Furnace” is a Ligottian masterpiece of slow, hallucinatory, maternal suffocation, and her recent collection with the same title is equally essential. I have no doubt that Llewellyn is one of the best authors in any genre out there.
Kristi DeMeester. I came in contact with DeMeester’s work in Nightscript, Volume 1. She leads off this stellar anthology with “Everything That’s Underneath,” an unforgettable and heartbreaking tale of quiet horror and inescapable dread. Everything DeMeester touches turns to gold.
Anya Martin. Another brilliant wordsmith with a distinctive voice. I was first taken with “A Girl and Her Dog,” in Xnoybis, issue 2, but her Dim Shores chapbook, Grass, blew me out of the water with its unclassifiable, speculative weirdness. The voice is distinctly Southern, and reminded me of a younger Joyce Carol Oates as well. I can’t wait to read more.
Dagny Paul. New on the scene, but a powerful voice in horror. Check out her “There Is No Road through the Woods.” I was put in mind of both Lovecraft’s “The Colour Out of Space” and Ligotti’s “The Shadow at the Bottom of the World,” not only because of the blighting environmental horror but because of Paul’s gorgeous, haunting imagery.
P. Miskowski. Her Dunhams Manor chapbook, Muscadines, is Flannery O’Connor and Neil Gaiman’s love child on quality grade acid. Experimental, accordion-like narratives within narratives. A masterful command of narrative voice holds it all together. I can’t wait to dig further into her work.
The audiobook version of The Secret of Ventriloquism is finally available (via Amazon, Audible, iTunes).
It was recorded/produced by me, with a creepy singing assist by author/Pseudopod Associate Editor, Dagny Paul. Even if you’ve read the book already, I believe that hearing the stories aloud lends a dimension to the collection that the text alone cannot offer.